Anime and Literature
Gosh! I’m so engrossed with anime nowadays that I tend to interchange my personal anime thoughts with the discussions that we had in our major class. And now, it did happen. Now I’m seeing anime like literary pieces of art. Heck, you might find me weird right now, but please bear with me for a while. *laughs*
My ideas about anime stuffs with a touch of literature really bother me. So here are my personal observations to some anime shows –
1. Le Chevalier D’Eon – This anime reminds me of Alexandre Dumas’s The Count of Monte Cristo wherein we can clearly see revenge as a powerful controlling theme of the story – it controls the plot, and the characters as well. The anime has also a historical context. I think the setting of the story is set while the French Revolution is still brewing hot. Hmmm, I find it really amazing to see a different view of Maximillien Robespierre in this anime. There are also frequent references of the Bible. Since the anime is still on-going (in Animax), I can’t comment on the story as a whole. But one thing is for sure, the anime is really gory in its own special way.
Personal Rating: 4 buckets of popcorn. PG: disturbing.
2. Fate/Stay Night – A very interesting anime for me, and probably this will also interest my other course mates as well. You see, it’s a little deconstructed anime of mixed literary stories in which the female lead character is the female version of King Arthur in a modern world. But the thing is, this female King Arthur (who is Saber) is a servant in this anime, working for her master Shiro, (a teenage guy) in search for the ultimate power of Holy Grail. You can actually comment on this anime in a feminist point of view: Saber as the female King Arthur, capable of strength and power, yet still a servant to a young boy. Tchuh, it’s ironic really, a little reflection about this anime might help.
Personal Rating: 3 buckets of popcorn.
3. Blood+ - The perfect anime example for ‘in medias res’ technique, wherein the story started right away with the protagonist (Saya) finding that she is the only one capable to defeat the Chiropterans (monsters that feast on blood). The anime is initially set in present day (2005) but the story has flashbacks that date back in 1832. The series ended in the year 2013. The fight between Saya (with the Red Shield) against Diva, her sister (with the Chiropterans and the Goldschmidts) is like an external conflict of moral philosophy versus scientific philosophy. The internal conflict is clearly depicted on Saya’s internal struggle to fight and protect the humans and rediscovering her identity in the end. It’s a really nice anime, I like the way the events unfold in my eyes, it’s exciting.
Personal Rating: 5 buckets of popcorn. PG: lots of bloodshed.
4. Fullmetal Alchemist – It’s difficult to comment on this anime, as this is definitely superb and I may not be able to say the right or proper words to describe it. I find that some characters suggest universality. Like Blood+, it is a battle of science vs. moral principles (at some scenes, religion) and by this, theme is sharply defined. The internal struggles of the characters are major bonus for the story. I love the metaphorical naming of the characters; some of their names are very suggestive of their nature (e.g. Lust, Envy, Greed). For me, this anime uses plot to reveal character and it did so in a very perfect way. After all, the significant actions will only lie to the protagonist itself.
Personal Rating: 4 buckets of popcorn.
5. Inuyasha – Like Blood+, Inuyasha also uses ‘in medias res’ technique. The story started with Inuyasha and Kagome trying to gather the Shikon no Tama (Banal na kristal, in tagalog version) but the story also include flashback scenes that date 50 years ago. It has an amazing feudal era environment as its historical context. One of my personal favorites.
Personal Rating: 5 buckets of popcorn.
6. Honey and Clover (Season 1,2) – Personally, I like this anime because it’s about love, friendship and sacrifice in a very natural way. There is a high degree of verisimilitude, which means that it is, in a way, very realistic and suggests universality. There is a huge room for the exploration of feelings and emotions both for the characters and the viewers of the anime. Tone? sentimentality. The opening lines signify the whole theme of that particular episode. Funny enough, I find that some scenes in the story are forms of masochism, like loving a person when he doesn’t love you back, hanging around as a third wheel, or working in a firm with the one you love who was just busy chasing another girl. Sigh. Pivotal event? when your love is not reciprocated, and this messes up everyone in the story. Jeez! Lots of emotional strain for Pete’s sake! This is just one of those anime wherein the plot depends on the character itself. The quality of human nature, characters’ motivations and struggles, and coping with emotional problems make up the plot of the story.
Personal Rating: 5 buckets of popcorn.
So that’s it. Yep, you might say that I’m too subjective for just choosing only these six animes (most of them are my personal favorites) but you must understand, it’s not at all appropriate to present my personal views to those anime shows that I didn’t even finish or witness. After all, this is my post, so I can write whatever I please. Hahaha! I’m actually planning to give my points for the Wolf’s Rain anime, which I’m trying to put an analogy to John Donne’s metaphysical nature. Yeah, for me, Wolf’s Rain has a really metaphysical touch to it, but I think that I have to understand first (really understand!) what makes it metaphysical as I couldn’t even describe the how and why of it. And what’s more, the Princess Tutu anime has a nice plot (I tell you!) where the narrator messes up with the story. It’s a bit deconstructed too. You can find it yourself.
Sigh. I’m really addicted to these things. You can suggest anime for me to watch where I can find a nice analogy of it to literature.
See ya!